The legends of the saints are written without footnotes. They can’t be checked and verified. The significance of these legends lies in the moral ideal that lives on in elaborate portrayals as a gentle entreaty to follow their saintly example.
In Brazil, illustrator and graphic artist Oswaldo Goeldi is considered a master of the art of expressionist xylography – the art of engraving on wood. In Switzerland, the work of this Swiss-Brazilian dual national is yet to be discovered.
Two German painters, contemporaries, reacted to the ‘age of catastrophe’ of 1914-1945 in very different ways. One painted a harsh and objective depiction of the world he saw. The other persisted in a rural idyll. Both approaches are political.
On 1 April 1944, Schaffhausen was mistakenly bombed. The municipal museum lost more than 80 paintings. Then, artworks to match the scale of the losses started arriving from all over Switzerland. Even now, this level of cultural donation is testament to the huge solidarity compatriots felt for the stricken city.