In 1940, General Guisan stood on the battlefield and called for resistance. Meanwhile, French internees wanted to sing the Marseillaise. Yet again, women were responsible for their welfare. ‘Allons les femmes de la patrie.’
Two German painters, contemporaries, reacted to the ‘age of catastrophe’ of 1914-1945 in very different ways. One painted a harsh and objective depiction of the world he saw. The other persisted in a rural idyll. Both approaches are political.
Augsburg: a descendant of a rural weaver became Europe’s most prominent merchant, mining entrepreneur and banker, despite the Bible’s prohibition of usury. A biography sheds light on an era of history – and vice versa.