Murielle Schlup06.11.2025The 1954 state visit to Switzerland of Haile Selassie (1892–1975), the last Ethiopian emperor, caused quite a stir. Some of his gifts and a belated thank-you letter sparked irritation and gave rise to speculation.
Murielle Schlup07.08.2025High heels are a perennially popular fashion accessory. Nowadays, it’s usually women who wear them as the days of men going into battle on horseback with heeled footwear are in the past. The cultural history of the high heel is a mixture of myth, modishness and might.
Murielle Schlup08.05.2025Jegenstorf Castle was used as a command post by General Henri Guisan during the last months of the Second World War. Performances by the local all-female choir provided him with some welcome relief from his military duties.
Murielle Schlup31.10.2023Thanks to digital technology, the creation and sharing of portraits is now popular, cheap, and almost obligatory. Before the advent of photography, this task was fulfilled by portrait painting. We take a look at its origins and how it evolved.
Murielle Schlup18.04.2023In 1823 around 160 Greek revolutionaries ended up in Switzerland, having been defeated and persecuted by the Ottomans. They escaped on foot on a route that took them via Odessa, Bessarabia, Poland and through German states to the border in Schaffhausen.
Murielle Schlup16.02.2023During the Baroque and Rococo periods no self-respecting man or woman would consider themselves properly dressed without one finishing touch: their wig. Fashionable first at the French court, their popularity then spread all over Europe. Coiffed hairpieces long served as a symbol of social status for both sexes.
Murielle Schlup19.01.2023French king Louis XIV liked to use dance as a way of projecting his absolute power. A year before his glorious coronation, he embodied the rising sun – dressed as the sun god, Apollo – in the centre of the planetary system.
Murielle Schlup09.12.2022Liselotte von der Pfalz’s extensive correspondence gives something of an autobiographical portrait of its writer, provides a no-holds-barred chronicle of the French court at the time of Louis XIV and the Régence, and is one of the best-known German-language texts of the Baroque period.
