
Genevan exiles at Lake Constance
In November 1834, 17-year-old Amélie Macaire, the daughter of a Genevan manufacturer, married German Count Friedrich von Zeppelin on an island in Constance that was the site of a former monastery. French was the predominant language spoken. And not without reason...
Conversely, while the indirect link between the Genevan presence in Constance and the use of French-suited playing cards in parts of the canton of Thurgau may seem obvious, it has not yet been conclusively proven. What we do know is that, in 1817, David Macaire, the father of Amélie von Zeppelin, arranged the sale of Schloss Arenenberg to Hortense de Beauharnais, the mother of Louis Napoléon Bonaparte. The estate in the community of Salenstein could be reached from Constance within a good half-hour on horseback. And in Thurgau, local tradition has it that the card game jass is played with French-suited cards within a radius of one day’s horse ride from Arenenberg.


‘The Genevans’
A few years later, ‘the Genevans’ made up a good 10% of the city’s roughly 4,000 inhabitants! Göttingen-educated historian and writer Christoph Meiners, who stopped off in Constance on both his trips to Switzerland, claimed not to recognise the city again on his second visit in 1788. Whereas the interior décor in the Gasthof zum Goldenen Adler on the main market square where he stayed during his first visit in 1782 seemed to date back to the time of the Council of Constance, on his second stopover everything appeared brand new. The Adler was now the top place to stay. Like the Krone in Schaffhausen or the Schwert in Zurich. He heard French being spoken everywhere, the streets seemed “much livelier than before”, the buildings were either new or had been renovated. But his contemporary account of his travels also provides a clear-eyed view of the not entirely unproblematic relationship between the locals and the newcomers. The initial euphoria felt by the emigrants did not last for long. By the turn of the century, many of them had already returned to Geneva.
The Macaire de L’Or family
In 1830, one of Jean-Jacques Louis’s sons, David Macaire, became a founding shareholder of the steamship company for Lake Constance and the Rhine, also serving as its first Chairman. It goes without saying that he was motivated by the prospect of improving the means and mode of transport of the textiles produced by Macaire frères – whether that suited the local boatsmen’s guild or not. At the age of 17, his daughter Amélie wed Count Friedrich (known as Fritz) von Zeppelin. It was a love match. The marriage between the witty manufacturer’s daughter and the warm-hearted count was happy. So too was the extremely well-documented childhood of their daughter Eugenie and their two sons Ferdinand and Eberhard at Schloss Girsberg, a manor house in nearby Emmishofen in the canton of Thurgau.
However, the family’s happiness was to last only 18 years. Amélie von Zeppelin died of tuberculosis at the age of 36 ‒ a blow from which Fritz von Zeppelin and the three children would take a long time to recover. Eugenie subsequently became the heart and soul of the family, while Eberhard would go on to turn the former island monastery and indienne manufactory into a luxury hotel, and Ferdinand to develop airships. Two decades later, Ferdinand would become one of the most popular figures in Germany at that time.
He also painted a scene memorialising the Macaire frères indienne manufactory as it was circa 1800, the third from last in a series of eighteen large-scale pictures depicting the history of the island from the time of the prehistoric pile dwellers to the opening of the hotel in 1874. The scene, executed with Keim mineral paints, a brand that had only came onto the market in 1878, shows the jetty in front of the factory where the owner is supervising the loading of bundles of cloth onto a merchant vessel of the kind traditionally used on Lake Constance. In his grey coat and black top hat, the manufacturer cuts a striking figure as he exchanges papers with the ship’s master against a backdrop of cotton cloths hung out to dry after being dyed red.
Carl von Häberlin and Switzerland
Born in Oberesslingen near Stuttgart in 1832, Carl von Häberlin was undoubtedly the most important and productive exponent of late-period history painting in a naturalistic vein in southwestern Germany. His monumental cycle of paintings depicting the history of the former monastery island in Constance is one of the most spectacular, and probably also one of the most visited, oeuvres of its kind. While working on-and-off on the paintings in the Inselhotel from 1887 to 1896, he set up private residence in Schloss Wyden near Ossingen, an area in the canton of Zurich known for its wine. His attention had been drawn to the castle by fellow countryman Julius Motteler, who had organised the first Congress of the German Social Democratic Party there in 1880 while living in exile in Zurich, at a time when the party was banned under Bismarck’s Anti-Socialist Laws.
During his stay at Wyden, he also created the murals at Schloss Castell in Tägerwilen (Thurgau) and in the town hall of Stein am Rhein (Schaffhausen), for which he was made an honorary citizen on 25 March 1901, thereby also gaining Swiss citizenship. He also prepared three sketches for the competition to design the murals for the Hall of Arms in the Swiss National Museum in Zurich during the period of its construction from 1893 to 1898. However, the commission was awarded to Ferdinand Hodler, an artist whose completely new style of history painting was both highly expressive and highly unconventional, leading to the longest and most passionately contested quarrel over art Switzerland had ever seen.
During his stay at Wyden, he also created the murals at Schloss Castell in Tägerwilen (Thurgau) and in the town hall of Stein am Rhein (Schaffhausen), for which he was made an honorary citizen on 25 March 1901, thereby also gaining Swiss citizenship. He also prepared three sketches for the competition to design the murals for the Hall of Arms in the Swiss National Museum in Zurich during the period of its construction from 1893 to 1898. However, the commission was awarded to Ferdinand Hodler, an artist whose completely new style of history painting was both highly expressive and highly unconventional, leading to the longest and most passionately contested quarrel over art Switzerland had ever seen.




